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Writer

Richard Bean

Director

David Salter

Set Designer

Olivia Herr, Isobelle Kennard, Eve Wilkinson, Isabel Jones

Evie Jones & Milly Noble

Costume Designer

Paul McCartney Auditorium, Liverpool Institute for Performing Arts   |   2025

Stage Manager

Jess Crabtree

Assistant Stage Manager

Harvest

Stage Manager

Grace Roberts

Aideen McGarahan

Deputy Stage Manager

Hugh Patten

Lighting Designer

Sound Designer

Megan Hutchinson

Delaney Blake-Pearson  James Elliston  Lola Garlick  Ophelia Gourbault  Mia Kelly  Nik Knauthe  Aidan Rivers  Elena Spaven  Alessandro Stasi
Will Teasdale  Pranav Viswanathan  Oliver Williams

PERFORMANCE BY

KEY REQUIREMENTS

- Collaboratively sourcing/making over 300 props.

-Problem-solving on deck during performances.

- Organising complex, detailed scene changes completed by actors.

- Risk assessing the use of weapons, smoking, breakables and other safety hazards.

- Working collaboratively with set, costume, lighting and sound designers to execute their vision.

On 14th May 1875 Lord Primrose Agar, drunk as a skunk, wagered one of his tenant farmers, Orlando Harrison, that his border collie pup Jip would outlive the 94 year-old Harrison. The prize would be 82 acres of up and down known as Kilham Wold Farm, near Driffiels in East Yorkshire. Thirteen years later, having buried his dog, Agar shook hands with Orlando and conferred on the Harrisons a century of struggle.
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    PROPPING PROCESS

  • PROPPING PROCESS
  • PROPPING PROCESS
  • PROPPING PROCESS
  • PROPPING PROCESS
  • PROPPING PROCESS
  • PROPPING PROCESS
  • PROPPING PROCESS
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